Today I examine the Opinion section of The News-Letter through a written interview with its editor, Ayden Min.
On Sept. 16, The Johns Hopkins News-Letter Editorial Board released an article bearing the title “On generative AI: The News-Letter commitment to journalistic integrity.” It set the paper’s opinion on the application of artificial intelligence to student journalism, that The News-Letter would not sacrifice ethical reporting in the cause of efficiency, though the temptation may be.
Reading “University students respond to the assassination of Charlie Kirk,” I was impressed by the way the paper addressed it: How do we protest the violent suppression of opinions while acknowledging the damage a person’s platform may inflict? As a student paper publishing an article on a political assassination is no small matter.
When I first applied, I didn’t really know either. On the list of positions at The News-Letter, “Public Editor” caught my eye because there were only a few people that had signed up. The other roles were obvious enough: the Voices Editor handled Voices, the Opinions Editor oversaw Opinions, the News Editor managed News. By that logic, I figured, the Public Editor must be in charge of the “public.”
This fall, The News-Letter conducted a community survey to better understand who makes up our readership. In total, 43 students shared their identities, academic backgrounds and experiences.
The News-Letter functions not only as a record of campus activities, a place to play Hopkins-themed crosswords or share a nervous breakdown experience from finals week; it is also one of the few avenues through which Hopkins speaks to and about its community. Asking what makes a good newspaper inevitably raises larger questions about what makes for a thriving public conversation.
If you’re reading this, you probably already know The News-Letter is back in print! For many Hopkins students, this is the first time they are seen a physical edition of their school’s newspaper. It’s also the first time many of The News-Letter’s staff have produced a newspaper or seen their work in ink, myself included.
In April I assumed the role of Public Editor at The News-Letter. What is that? How does one edit the public? I had similar questions.
For those of you readers who watch this space, you may have noticed the handover that took place over the summer. After ably serving as The News-Letter’s first Public Editor, Jacob Took graduated and has now joined the staff of The Cecil Whig and The Newark Post. For the next nine months, I will be your Public Editor.
I’m telling you right now. It’s going to happen. A message request on Facebook from someone you have mutual friends with but swear you’ve never seen before. A text out of the blue from a number with an unfamiliar area code. An email with a subject line like “URGENT: interview request.”
Reader and recent alum Ifeyinwa Egbunike reached out to me on August 12, wanting to know why there had been no News-Letter coverage of University President Ronald J. Daniels’ announcement on July 3 that someone had discovered a noose in University-owned property near campus.
Today, the future looks uncertain, and the conditions of life seem untenable. This is what it means to live in times of crisis. And in times such as these, the journalist’s highest form of service is to faithfully deliver to the public whatever measure of clarity and understanding that they can. But to do that, they need the public’s trust. They need to have earned it in the past, and to have kept earning it ever since.
As I prepared to tread the path of Public Editor, I searched for signposts which would show me the way. I connected with other public editors, considering their ideas in the context of The News-Letter. I read journal articles about the ethics of the reader representative role and studies about how journalism’s audience shifted in the digital age. I pored over our past issues to understand the history underpinning the paper’s coverage of Hopkins students.
Editors gathered on the Wednesday before spring break to put together a final print issue before The News-Letter shifted temporarily to online publication. Hopkins had announced the suspension of in-person activities through mid-April the night before due to the novel coronavirus (COVID-19), but editors were uncertain when they would be able to return to the Gatehouse, the home of the newspaper’s production.
When the current editors of The News-Letter went through election interviews last April, nobody asked them how they would adapt their roles to a global pandemic. A year ago, no one imagined life as we know it changing so drastically.
Restrictions on student groups. Spring Fair restructuring. Progress on (and ongoing opposition to) a private police force. Not long ago, we thought these were among the year’s biggest stories. Then came one headline to top them all: Students sent home.
Readers have recently seen some of the paper’s first coverage of the protests in Hong Kong, a clash between demonstrators and state forces over China’s executive authority in the city. Though these protests having been happening since last June, they didn’t reach Homewood Campus until Joshua Wong and Nathan Law, two activist leaders of the Hong Kong movement, spoke at Shriver Hall on an invitation from the Foreign Affairs Symposium (FAS).
If you even casually flipped through last week’s paper, you probably noticed the stunningly striking photo essay, “Frozen land: scenes from the Swedish mountaintops.” What you may not have noticed, though, was that the photographer’s name appeared elsewhere in the issue alongside photos assigned to articles. Yes, please join me in extending a warmest welcome to the paper’s newest contributing photographer.
You’re a Hopkins student. You wake up, and if you’re not already on campus you’re probably no more than a few minutes away. You grab coffee and a croissant from Brody Cafe before class. You catch the JHMI, which ferries you across Baltimore to the Hospital’s doorstep. You’re in the lab, head bent, back aching for hours. You head back to campus, hit up the library and then the rec center. You grab dinner at the FFC or, if you’re feeling adventurous, somewhere along St. Paul, on your way home.
What is Your Weekend? I’m not talking about the weekend, those horribly magical two days during which you can both take a breather from the last week and work yourself into a panic about the next. Nor do I mean The Weeknd, whose mixtape collection Trilogy remains perennially underrated. And while we’re on music, I should clarify that I’m definitely not thinking of SZA’s timeless sidechick anthem “The Weekend.”
