After rounds of delays due to the pandemic, the grand release of the live-action movie Mulan had gained a lot of hype and excitement. However, this only made it extra disappointing when I finally watched it. After its release in Chinese cinema on Sept. 11, the rating dropped sharply to 4.9/10 on Douban within two days.
The Bloomberg School of Public Health has been attracting major national attention since the coronavirus (COVID-19) pandemic hit the United States. According to Bloomberg’s Audience Development team, the Hopkins Coronavirus Resource Center got hundreds of millions of views daily at its peak and is still cited daily as the main source of COVID-19 data for media outlets, schools and other institutions. Experts from the school have been featured in media coverage and consulted by people across the globe in these truly unsettling times.
Over the summer, like most people trying to deal with the anxiety-inducing, consistently weird times we’ve been going through, I succumbed to rewatching my favorite comfort shows ad nauseam. However, one new show managed to pull me out of binge-watching and return to the good old days of watching something new on a one-episode-per-week basis as it came out — the British Broadcasting Corporation (BBC) adaptation of A Suitable Boy.
Providing a renovation of the queer teen love story Love, Simon from 2018, the newly released TV series Love, Victor takes place in the same setting of Creekwood High School, with new characters and a different story. Victor Salazar, the protagonist of the new show, is a Puerto Rican with a “beautiful cinnamon complexion” from Texas who, despite financial shortcomings, has moved with his family to the more affluent school district of Creekwood High.
International pop star Jay Chou dropped his newest single, “Mojito,” on June 12. Released alongside a vibrant music video in which he wanders through Cuban streets with his band, it was a much-anticipated release for ardent fans of Chou, whose last album Jay Chou’s Bedtime Stories came out in 2016. He has only released four singles since, including “Mojito.”
While the obvious public health, social and economic consequences of the coronavirus (COVID-19) pandemic are well known, this period may also change, perhaps permanently, the way we see movies. During Lunar New Year 2019, the Chinese box office totaled $360 million in the first weekend alone. But this year, as over 70,000 theaters closed and major movies were postponed, that same box office grossed only $2 million over the holiday weekend, even though it was previously expected to generate $1 billion globally.
Intense percussion, frank and breathy lyrics, dog barks. Wispy lyrics spoken into silence with no soundtrack to support them. Hoarse growls full of energy and instruments that fall into hysteria, then pick up a new beat and begin once again. This is how Fiona Apple clangs into view on her fifth album Fetch the Bolt Cutters, a powerhouse of intricate rhythm, rising anger and joy.
When Hopkins announced that classes were moving online for the rest of the semester, professors in all departments were forced to think of ways to keep students engaged while still being able to effectively teach material. Perhaps this transition was most difficult for instructors in the Hopkins Center for Visual Arts (CVA). Students, some used to working with a variety of mediums from oil painting to charcoal, suddenly had to leave many of their art supplies behind.
Amid the storm of delayed releases to movies and albums, I found myself quite lucky that my most anticipated release of the spring was still on time. On April 17, 24-year-old artist, Jeremy Zucker, released his debut album, love is not dying.
In the April 20, 2020 edition of The New Yorker, Ben Lerner’s short story “The Media,” appeared under “fiction.” A writer from Topeka, Kan., Lerner is a distinguished poet, writer and editor (though this list is not exhaustive). Lerner has also been a Fulbright Scholar, National Book Award finalist, Guggenheim Fellow and MacArthur Fellow (again, this list is not exhaustive).
I’m not an obsessive for many TV shows, with one exception: the Eurovision Song Contest. Criminally underrated in the U.S., Eurovision is an annual arcade of countries and songs. Set up like a combination of the Olympics and American Idol, Eurovision is my annual fairytale. Each year, various European (and guest) nations toy with songs and artists until they come up with a perfect performance.
Last week saw the launch of Quibi, a new streaming service. Quibi seeks to differentiate itself through mobile-only, short-form content; the episodes of each series on the app are all under 10 minutes, which is seemingly ideal for our generation’s ever diminishing attention span.
I have a weird obsession with German television and movies. In my humble opinion, the actors, production and motivations behind them are incredibly refreshing in comparison to the U.S. market, where shows are renewed season after season until their wonderfully original premise gets stale and formulaic, just to make a little more money.
Forget Tiger King. If you’re social distancing and want to see a pet get screwed over, we recommend that you watch Disney+’s Togo (which is about the eponymous sled dog, not the country in West Africa).
I’m five, sitting in the passenger seat of my dad’s old, silver Volvo. It’s that time in your life when you’re still very whole, very undecided and unhurried about who you are.
I entered my senior year of college with several misgivings. I had just spent my junior spring semester abroad at the University of St Andrews in Scotland, and everyone had warned me of what tends to be a difficult transition back to life at Hopkins after months of reckless fun in a foreign continent.
If there’s one thing the coronavirus (COVID-19) pandemic hasn’t completely destructed, it’s the spirit of the arts. We’ve seen it all: viral TikTok snippets, Instagram livestreams, apartment windowsill jam sessions, art-making and concerts brought to you on what has become the most loved and hated platform of our time — Zoom.
In this temporary era of social distancing and quarantine, most of us find ourselves with more time on our hands. Of course, we can fill this time interacting with our families in-person or over the phone, group facetiming (or group zooming) our friends, but there’s definitely a limit to how much time we want to spend interacting with others.
Last week, my journey in quarantine-watching began with the Netflix show Self Made, a miniseries released on March 20. The show explores the life of Madam C.J. Walker, who is considered to be the first self-made female millionaire in the United States.
