Taylor Swift: The Eras Tour makes the whole theater shimmer
There is an infestation. No, it’s not the Paris bedbugs. It’s Taylor Swift. You’ve all heard of her. She’s on the radio, she’s on your Instagram feed, she is everywhere.
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There is an infestation. No, it’s not the Paris bedbugs. It’s Taylor Swift. You’ve all heard of her. She’s on the radio, she’s on your Instagram feed, she is everywhere.
Here in the Arts Section, we hope everyone has had a restful Fall Break (or at least just got in a good nap or two). Now that we’re coming into the second half of the semester, I think everybody is feeling a bit overwhelmed. So why not take a moment to escape from it all with a new movie or book release, or get away from campus for a bit and spend a night out with some friends?
Rap artist Rick Ross and pop rock band COIN performed in this year’s Hoptoberfest concert on Oct. 14. To be honest, ahead of this concert, I had never heard of either Rick Ross or COIN. Their most well-known tracks, “Talk Too Much” by COIN and “Hustlin’” by Rick Ross, were vaguely familiar to me, but not to the extent that I could sing along or shout the lyrics at a concert. However, I figured that a free concert was a free concert, so I went.
On the third day of the annual Hoptoberfest, “Show Day,” eleven student groups performed, including seven a capella groups. Hoptoberfest is run by the Hopkins Student Organization for Programming (HOP).
Following Hoptoberfest, hopefully, the entertainment bug has bit campus! October has been a great month for arts and entertainment so far and continues to give us great releases each week.
Juggling classes and exams in college while also maintaining a social life and good mental health can be challenging (I’m honestly exhausted thinking and writing about it). Because of this, JHU ¡Baila!, the University’s only Latin dance team, really stands out for how it embraces the importance of this balance. They offer a welcoming space for Hopkins students to feel connected to each other, their Latin roots and the world of Latin dance.
Can you feel that? The leaves are turning orange, the air is getting a bit chilly and Kevin Feige is knocking on your door letting you know there is another Marvel Studios release. Time to blow the dust off my Disney+ account to watch Loki's season two premiere.
The Hopkins Student Involvement Fair is overwhelming to say the least. It’s stuffy, you are elbowing your way through dozens of people and it seems like there is no end. By the 30-minute mark, the exhaustion hits and the clubs slowly become a blur. The point is, it is exhausting to find an organization where you belong, a club that is entirely unique. In this respect, the Dunbar Baldwin Hughes (DBH) Theatre Company sets itself apart from many.
There’s something special about the excitement of a theater minutes before the lights go down. People are flipping through the programs or chatting with their friends, and theater group members are doing their last checks and preparations before showtime. You can never know for sure exactly what kind of show you’re going to be in for. For my part, I didn’t have any clue, beyond the names of the plays: Uncomfortable Spotlights, The Curse of Having a Big Heart, The Whip-Poor-Will and Angelus Mortis.
After an embarrassing venture in written poetry, with such insightful lines as, “There are two types of women in this world / women who like giving head and women who I don’t like,” Adonis’ favorite rapper and Grammy Award-winning artist Aubrey Graham (aka Drake) is back in full form.
Welcome to the midway point in the semester! Here at The News-Letter, we hope you’re taking breaks and taking care of yourselves (even though, let’s be real, we know you probably aren’t). But if you’re looking for something to watch in between studying for midterms or a cool new album to listen to while you run to your 9 a.m. in Bloomberg, then we’ve got you covered.
In a cinema landscape where almost every horror film is a metaphor, it becomes slightly disappointing when a film doesn’t execute its messages well, or when it fails to land on any message at all. Regardless of its muddy themes, Bishal Dutta’s feature film directorial debut, It Lives Inside, puts a twist on the possession horror film archetype by following an Indian-American teenage girl’s experience with an evil spirit from Hindu mythology.
The atmosphere is getting restless as the cold air seeps in. Conversations about the “perfect fall movie” or “beverage” are emerging from the babble of physics midterm complaints and roars of students realizing Hopkins is a pretty difficult school. There’s no argument — nostalgia seems the only way out of the current mess we’ve found ourselves in.
“The best thing I ever did in my life was to love people,” Mitski said in an interview with Dead Oceans. “I wish I could leave behind all the love I have, after I die, so that I can shine all this goodness, all this good love that I’ve created onto other people.”
On Sept. 23 the Peabody Symphony Orchestra (PSO) held its first concert of the academic year. Though held with free admission at the Miriam A. Friedberg Concert Hall, I had the pleasure of being able to watch it online through a live broadcast. Included in the program were the following pieces: “Pulse” by Brian Nabors, “Totenfeier” by Gustav Mahler and “Symphony No. 2” by Louise Farrenc. The pieces were all conducted by Joseph Young.
I’m not usually much of a horror fan. The tiger cave in Aladdin still freaks me out, and after the horror unit in my eighth-grade film class, I had nightmares for weeks. And these were middle school horror projects we were watching, so, as you can probably guess, my tolerance for anything scary is horribly low.
I don’t know about you, but with the erection of all the new construction fences around campus, I’ve been feeling the urge to stay home and watch movies all day instead of going to class. So here at The News-Letter, we’ve got all the best new recommendations in movies, books, albums and events so that you can properly enjoy a long day of doing nothing.
Bottoms, directed by Emma Seligman, is the most memorable comedy I’ve seen all year. On top of being genuinely funny, it subverts the usual stereotypes of queer media about teenagers. There’s no coming-out subplot present anywhere, but the film is still full of unapologetically lesbian characters and gay jokes that had the entire theater laughing. Personally, it was also the most I’ve laughed out loud in a theater before. Every joke, even the most ridiculous, landed impressively.
If there’s one thing that Hopkins has no shortage of, it’s fantastic a cappella groups. But with so many groups on campus, it can be difficult to really highlight the unique strengths and interests of each one. This week I was able to sit down with senior Matt Rodgers, the president of Ketzev at JHU, to find out what makes Ketzev and a cappella at Hopkins so special.
Out of the 38 Netflix Original releases so far this month, nine of which are movies, the new Netflix romantic comedy Love at First Sight sits at the top of the pedestal as No. 1 in the top 10 movies in the U.S. The new addition to Netflix’s repertoire is an adaptation of the novel The Statistical Probability of Love at First Sight, written by Jennifer E. Smith.