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In an interesting case of art mimicking life, Jason Eisner, a professor in the Computer Science Department and the Language and Speech Processing Center, will costar as the linguistics Professor Henry Higgins in Third Wall’s production of My Fair Lady. The play debuts on Friday, Nov. 9.
I went to the Senator Theatre in Baltimore’s Belvedere Square on Friday, Nov. 2 to watch Bohemian Rhapsody, the recent musical biopic of the epically famous rock band Queen. The film, as expected, focused on the most well-known aspect of the band: the incredible, exuberant and creative life and mind of the lead singer, Freddie Mercury. Rami Malek, most famous for his lead role in the TV show Mr. Robot, portrayed Mercury to well-deserved critical praise. Malek gave an absolutely compelling performance as Mercury, whose complicated life intersected inevitably with his musical genius in Queen.
The Walters Art Museum in Mount Vernon opened their newest exhibition, Transformation: Art of the Americas, on Sunday, Oct. 27. As described on the installation’s webpage, Transformation spotlights roughly 20 objects from indigenous American cultures that display the metamorphosis of body and spirit. Name a more wholesome Halloweekend activity than attending a gallery on its first day, I dare you.
I attended a reading at the Ivy Bookshop Saturday, Oct. 27 led by current and former Catholic nuns. They and their editors were promoting a new book called Unruly Catholic Nuns, a collection of poetry, autobiography and short fiction.
In order to understand Little Shop of Horrors, you really only have to look at its main villain: a sentient, bloodthirsty plant named Audrey II. Despite its desire to eat as much human flesh as it can possibly get its hands on, Audrey II is also the show’s campiest character, just as likely to petulantly throw a tantrum as it is swallow a person whole. It never stops cracking jokes, even as it threatens to consume the entire human race.
Climbing down the magnificent staircase embellished with an intricate pattern, I set foot in the masterpiece situated in the heart of Mount Vernon. My eyes spiraled upward to admire the crystal-like glowing emerald skylight. Being part of the Walters Art Museum, 1 West Mount Vernon Place is a work of art on its own.
Netflix released the third season of Marvel’s Daredevil, the second season of Castlevania and the debut of The Chilling Adventures of Sabrina this week in a slew of new shows. Among them was an unexpected surprise — Patriot Act with Hasan Minhaj.
I have never been a fan of the haunted house. Something about paying strangers to scream at you in the dark as your body threatens cardiac arrest doesn’t appeal to me. However, I was intrigued by the Maryland Institute College of Art’s (MICA) unique take on the Halloween tradition and was impressed that the production was staged by students alone. After hearing friends testify to its relatively-tame-yet-still-spooky nature, I agreed to check it out.
A shirker is someone who runs away from responsibilities, something I consequently became when I experienced an otherworldly form of escape in Sandi Tan’s mind blowing documentary film, Shirkers. The one hour, 36 minute documentary, labeled a “punk feminist documentary gem” by Vox Media, unfolds into a gripping story of Tan’s journey as she recovers 70 film cans that were taken from her possession. While we get a glimpse into beautiful shots of the salvaged indie film produced by Tan and her friends in the summer of 1992, the mystery behind these lost tapes were, to me, far more unsettling than the weirdly creepy Halloween decorations on the second floor of Maryland Hall.
This fall, the Barnstormers are celebrating their 100th anniversary with a production of The Laramie Project, the true story of the 1998 hate-crime murder of Matthew Shepard in Laramie, Wyo.
The first time I saw The Wombats live was in 2015 at the Reading Festival in the U.K. It’s a sort of rite of passage, at least for private school students in London, to spend three days after GCSE (the first set of big public exams for British students) results come out camped out in the mud, going to see as many different artists as possible, getting no sleep and spending as much money on bad food-truck food as you can.
In 1773, She Stoops to Conquer, a comedy in five acts by Anglo-Irish playwright and novelist Oliver Goldsmith, debuted in London.
The Parkway Theatre is currently screening Charm City, a documentary produced by Marilyn Ness that depicts the streets of Baltimore. She highlights a city that is too often overshadowed by the media’s dominating political discourse about sensitive topics on crime, police brutality, gun violence, poverty and race.
In the moments before the show’s main act came on, the audience was filled with anxious anticipation. For the last 20 minutes, we’d been at the mercy of the opening act, who had led us all in a giant sing-along to gay anthems like “Barbie Girl” and “Part of Your World.” He was admittedly very talented and charming, and there was definitely a certain pleasure to blurting out the lyrics to “Party in the USA” while surrounded by drunken homosexuals, but it really wasn’t why any of us were there.
My roommate and I drove over to MilkBoy ArtHouse in College Park, Md. to see Kero Kero Bonito (KKB) perform on Saturday, Oct. 20. Kero Kero Bonito is a U.K. group consisting of singer and rapper Sarah Midori Perry and producers Gus Lobban and Jamie Bulled. The London trio is typically known for their eclectic and upbeat mix of electronic dance beats, pop and rap with Japanese-pop (J-pop) influences. Their previous albums contained songs with Perry singing and rapping in both Japanese and English over catchy pop beats about such whimsical topics as parties, trampolines and animals.
On a fateful Tuesday, Oct. 16 to be exact, I skipped my one class of the day and went to a concert in Washington, D.C. with two of my friends to see Brockhampton, one of our favorite bands, for their I’ll Be There tour. I had been to a Brockhampton concert several months before, so I thought I knew how wild and uncontrollable both the fans and the general admission pit would be. Little did I know that The Anthem, the D.C. venue where they performed, would feel about five times larger than the venue in upstate New York where I saw them perform last May.
This movie really lost a golden opportunity when it chose to release on Oct. 19 and not on Halloween night.
Gentrification is the process of turning a neighborhood to a middle-class, affluent living space through renovation. This essentially means that the less affluent community members living in those neighborhoods are displaced due to rising rents and the influx of wealthier people. Most people have no doubt nor second thoughts on such seemingly well-intentioned improvement.
R. House hosted a Halloween-themed vintage market to support the Women’s Advocacy Coalition in Baltimore on Sunday, Oct. 14. The market, located in the garage right next to the bustling Remington food court, is home to many flea market-type events throughout the year. Its wide open space and natural light is an ideal setting for the cute, homemade goodies that vendors often sell there.
The Writing Seminars department hosted author Lorrie Moore — recipient of The Irish Times International Fiction Prize and the 2005 PEN/Malamud Award for Excellence in the Short Story — for the latest event in the President’s Reading Series on Tuesday, Oct. 9. Moore read excerpts from both her fiction and nonfiction pieces, both of which demonstrate not only her fantastic talent for wordplay, but also her ability to combine both the grim and the bright into captivating and beautiful storytelling.