Use the fields below to perform an advanced search of jhunewsletter.com - The Johns Hopkins News-Letter's archives. This will return articles, images, and multimedia relevant to your query.
1000 items found for your search. If no results were found please broaden your search.
If you could have everything you could ever dream of, you would probably grasp tightly onto that new reality. In Sean Baker’s Anora, a sex worker who goes by Ani becomes roped into a life of extravagance and grandeur after impulsively marrying the son of a Russian oligarch.
On Monday, Oct. 8, my First Year Seminar — Writing with Pictures: An Introduction to Writing Picture Books and Graphic Novels — welcomed Elizabeth Lilly as a guest speaker. Lilly is a Baltimore local — a professor at the Maryland Institute College of Art (MICA) and Towson University — and both an illustrator and writer.
Sharp angles. Bare sides. Flat features. Only lines.
Hello everyone and welcome back to our “To watch and watch for” series, where the Arts & Entertainment section compiles a list of all the upcoming films, TV shows, books, albums and live events happening on campus, in the wider Baltimore area and beyond. I’m excited for this new format we started, because it means I get to share even more new releases. This week was extremely hefty in the musical department, with plenty of big names like Jon Batiste, Gwen Stefani and Mary J. Blige, and the list of live events continues to grow as we get further into the semester.
You loved it in the beginning, but the older it got the messier it got, and you started feeling mad more than anything else, especially when you kept finding pee on the carpet, and in the very end, it died a rapid, out-of-left-field death caused by rabies: violent and hard to watch but harder to stop watching, and once it was over you wished none of it — the dog, the death — ever happened in the first place.
Hello and welcome! It’s time for another week of new media. Whether you’re on the lookout for inspiration, entertainment or both, the Arts & Entertainment section is here with our list of fresh recommendations. This time, we are trying out a different format in order to list more exciting media in each section. I will be summarizing a few of the releases listed below, but if you would like to learn more about any of our picks, simply click on the link we’ve attached to each title.
A new take on the love story ended prematurely by illness, We Live in Time gives us a realistic and bittersweet view of what it means to love without regrets. Its genuine interactions and nonlinear plot create a relationship that’s beautiful because of the characters’ efforts toward each other, rather than their tragic premise.
In recent years, there has been an almost perverse public obsession with Donald Trump — 45th president of the United States, convicted criminal and renowned business tycoon. Ali Abbasi’s latest film, The Apprentice, explores the latter of Trump’s identities. Starring Sebastian Stan as Donald Trump, the film follows how Trump launched his career as a real estate businessman in New York City into a massive story of financial success. Particularly, it traces how he gained that success through his relationship with another figure of great controversy, Roy Cohn.
On Oct. 1, the University’s very own alumna Louise Erdrich published her latest novel The Mighty Red, an idiosyncratic story following the teenage, gothic intellectual Kismet Poe. Throughout the narrative, Poe survives her tragic newlywed life in her small, sugar-beet-farming town in North Dakota, backdropped by the 2008 financial crisis.
My mother always hated her gray hair. I’d watch as she separated her white strands from the rest of her dark brown hair, gathering them in her fingers as if to count them. I’d catch her glancing in the mirror at her hair, or avoiding wearing gray clothing because she thought it accentuated the color.
The rollout for Chromakopia — a series of dystopian, auteurist videos set to abrasive musical snippets — felt like deceptive advertising. I thought Chromakopia would be a hard-hitting, concept record with an ominous, experimental sound that cast Tyler, the Creator as a wild aggressor figure, given the dictatorial imagery of him ordering marching figures into planes before blowing them up.
Listening to Machine Girl can sometimes feel like being inserted headfirst into a meat grinder; it’s an unrelenting assault that leaves you strangely exhilarated but also satisfied. Their latest release — MG Ultra — which dropped earlier this month, strays slightly from their usual aesthetics, but it still manages to deliver the sonic violence that unmistakably qualifies it as a Machine Girl album.
For their Fall 2024 show, Hopkins’ longest-standing theater company, The Barnstormers, performed one of Shakespeare’s most performed plays, the romantic comedy Twelfth Night. I made sure to attend their first performance on Oct. 24, which had a sparse crowd — likely due to it being on a Thursday — but an energetic atmosphere.
As October comes to a close, we are on the precipice of the spookiest of nights. Some delight in this atmosphere, while others are more content to cower in their rooms with a good movie; yet still, others were just reminded that Halloween is this week, and are currently scrolling Amazon for costume pieces with same-day delivery. Whether your Halloweekend just passed, or for some reason you’re celebrating in November (weird choice), there are plenty of new releases and events which will soothe your soul — perhaps enough to reinhabit your body.
On Oct. 13 from 2—4 p.m., four faculty filmmakers from the Film and Media Studies department screened their work for coworkers, students and friends in the Gilman 50 auditorium. The event highlighted the presenters’ labors of love, with a program that featured the following works: unravelling by Susan Leslie Mann and John Bright Mann, Manger by Jimmy Joe Roche, Turf Valley by Adam Rodgers and Thomas Ventimiglia, and I’m Not Your Monster by Karen Yasinsky.
On Oct. 4, Netflix released The Platform 2 which is a Spanish dystopian thriller that reimagines the prison system as a vertical self-management center. A second installment to The Platform universe, the movie begins with two cellmates Zamiatin (Hovik Keuchkerian) and Perempuán (Milena Smit) who wake up on level 24 of the prison.
Lizzy McAlpine’s most recent release, Older (and Wiser) won me over before I even listened to it. I cannot emphasize how much I love a good — or bad — pun, and deluxe albums with witty titles are my guilty pleasures (see: guts (spilled) by Olivia Rodrigo and Call Me If You Get Lost: The Estate Sale by Tyler, the Creator).
“It’s like standing in a power station on acid,” said Richard D. James, better known as Aphex Twin, of his landmark album Selected Ambient Works Volume II. Thirty years later, its beautiful yet unsettling dreamlike soundscapes remain as captivating as ever, and earlier this month the album returned with an expanded anniversary edition.
In an interview with The News-Letter, Judah Akers, lead singer of indie folk band Judah & the Lion, said that they make music, “for people… to point people to hope.” Their newest album, The Process, is a journey through the five stages of grief. Twenty-four tracks guide listeners through the thick of denial, anger, bargaining and depression all the way to acceptance.
Poet Megan Pinto held an event at local cafe Bird in Hand to present her debut poetry collection, Saints of Little Faith on Sunday, Oct. 6. Alongside Pinto, Samuel Cheney, Jimin Seo and Jess Yuan presented their work. After the attendees had settled into their seats inside of the atmospheric bookstore, the poets were introduced and the event began.