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The Shriver Hall Concert Series routinely brings virtuosic professional musicians to give concerts at Hopkins. On Feb. 26, the Dover Quartet was joined by double bassist Joseph Conyers to play pieces by Joseph Haydn, George Walker and Antonín Dvořák.
It’s an exciting week for the arts, especially for film nerds who will be delighted with the opportunity to watch Star Wars: The Empire Strikes Back on the big screen at the Charles Theatre! A similar wave of nostalgia is likely to pervade you if you go for the revival screening of John Hughes’ Ferris Bueller’s Day Off at the Senator Theatre. Elizabeth Banks’ new movie Cocaine Bear seems to have all the trappings of a cult classic and is sure to be a lot of fun as well.
The Peabody Opera Theatre put on a production of John Blow’s opera Venus and Adonis in conjunction with the Peabody Historical Performance Department on Feb. 17. The performance took place at Theatre Project, a small performing arts center located a 15-minute walk north of the Peabody Institute.
After a series of contentious years, many wonder whether the Academy of Motion Picture Arts and Sciences’ new leadership — namely, President Janet Yang and CEO Bill Kramer — can draw viewers and positive reviews for the upcoming 95th Academy Awards (Oscars). Due to the uncertainty surrounding the value of awards shows, my predictions on who will take home this year’s Oscars will weigh both public opinion and the merit of the nominees themselves.
Is there any movie franchise bigger than the Marvel franchise? After a quick Google search, I received my answer: a resounding no. The Marvel Cinematic Universe (MCU) has, according to CNBC, grossed over 22 billion dollars at the global box office. For reference, the second-highest-grossing franchise, Star Wars, only grossed 10.2 billion, and it started roughly 30 years before Iron Man was released in 2008.
It’s a quieter week here in the arts world. Big-budget releases and superstar artists have taken the week off — but all the better for it perhaps. It makes for a fantastic chance to dive into the indies, the debut artists and the up-and-comers.
I watch a lot of movies. Most are forgettable, some come back to me from time to time, but a special few stay with me. Last year, of the catastrophically many times I visited the Baltimore theaters, there were some special visits that nestled irrevocably in my memory. I’m not even sure if they are good films — all I know is that I can’t seem to forget them. One such particularly memorable film from last year is South Korean director Park Chan-wook’s Decision to Leave.
What makes a great romantic comedy? Is it option A, the absurdly attractive romantic leads masquerading as average Joes and Janes? Is it option B, the juicy, far-fetched and highly preventable misunderstandings that bring them together? Or maybe it’s option C, the moment when their eyes meet or their shoulders brush and you think, “Yup, they’re endgame.”
As we leave January behind, releases are picking up in the art world. Beginning with Ant-Man and the Wasp: Quantumania, Marvel Studios’ latest entry marks the first blockbuster of the year. For fans of crime, neo-noir Marlowe and Chinese espionage thriller Hidden Blade are both out this week too. If those dark and twisted alleys aren’t up your alley, take a look at the indie biopic Emily.
As the semester takes off into the usual chaos, it is important to take care of yourself and unwind with some movies, books and music — a lot of new entries in these genres are waiting to be explored! Great cinematic works like Stanley Kubrick’s Barry Lyndon return to the big screen, while new films like Brandon Cronenberg’s Infinity Pool are making waves in theatres. All the way from Bollywood, superstar Shah Rukh Khan shines in his new film Pathaan.
On the evening of Feb. 5, the Peabody Symphony Orchestra (PSO) gave a concert in Friedberg Hall in Mt. Vernon. The orchestra is the largest of all the Peabody Institute ensembles, and the concert was free to attend. They played Jessie Montgomery’s Soul Force, Richard Strauss’ Sechs Lieder “Brentano Lieder,” Op. 68 and Ludwig van Beethoven’s Symphony No. 7 in A major, Op. 92.
It’s always a bold move to sit in the front row of any group of people. Whether it be a huge lecture hall, a small classroom or an interactive magic show (a mistake I will not make again), back corners have become my safe space. I routinely linger at the edges of rooms, but, at Witness Theatre’s I-Show 2023 in Arellano Theater on Feb. 4, I sat front and center.
I love a good dystopia. Maybe it’s a callback from the early 2010s when The Hunger Games and the Divergent series were at their peak. Maybe it’s a reminder that life and the world could always be worse. In any case, whenever I see a dystopian series getting good reviews, I have to watch it.
If you appreciate sharp political commentary and bold visual design, I urge you to check out Political Animals at the Baltimore Museum of Art (BMA), on display through April 2. The exhibition showcases the eye-catching work of Senegalese artist Omar Ba, featured for the first time in a U.S. museum. The collection touches on themes of power, control, colonial legacies and the political nature of human beings. It inspires critical reflection on the relationship between people and their environment, between the powerful and the powerless, and between “the West'' and “the rest.”
When the GRAMMYs revealed their list of nominations for the 2023 awards, I immediately scrolled to the category “Best Rap Album of the Year.” Not because I hold the award in great regard but quite the opposite — the GRAMMYs have a vile history of botching the awards for rap/hip-hop artists, showing a partial disregard and ignorance for their culture.
Welcome back! As we settle into the semester, I always enjoy finding some time to hit the theaters and check out a new title on the shelves. It’s one of the few sweet spots before classes turn busy, and you won’t regret making the most of it while you still can.
The Pale Blue Eye is a gothic mystery movie that was released on Netflix on Jan. 6. It stars Christian Bale as Augustus Landor, the gruff old detective, and Harry Melling as a young Edgar Allan Poe. The movie is based on a novel by Louis Bayard of the same name.
A long-standing debate in film has been whether cinema is entertainment or art. While I find this idea of a zero-sum game quite sad and unfair, every once in a while there comes a movie that decimates this misconception by being an incredibly entertaining and artistic masterpiece simultaneously. There were a couple of films like these in 2022 but, in my opinion, none more viscerally representative of my point than S. S. Rajamouli’s RRR (Rise, Roar, Revolt).
For the most part, I’ve learned to avoid movies about dogs. It’s not that I don’t love dogs or don’t love to see them as canine protagonists. Honestly, if I could watch a full-length movie of a dog running around, playing and just generally being its happy self, I would enjoy it.
The annual Culture Festival, which took place on Keyser Quad, featured cultural performances, music and food on Dec. 2. The event was hosted by the Multicultural Leadership Council, with funding from the Inter-Asian Council (IAC) and the HOP. Each cultural student group present at the event had a booth where members talked about their culture and organization.