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Traditionally, our last editorial of the spring semester is spent reminiscing on the past year and encouraging students to look after their mental health during finals. We can’t do that this time. Why? Take a look around.
Pancreatic cancer is a rare tumor, accounting for only about 3% of cancer cases, but it is one of the most deadly. Over 67,000 Americans will be diagnosed with pancreatic cancer in 2025, and about 50,000 will pass away this year because of the disease. Up to 80% of pancreatic cancers aren’t diagnosed until they are at highly advanced stages, because the disease is typically asymptomatic early on.
Zach Mills is the True Chesapeake Oyster Company’s Executive Chef and Partner, and was recently named Maryland Chef of the Year. In an interview with The News-Letter, Mills underscored that True Chesapeake isn’t just a restaurant to him: It’s the culmination of years of hard work, collaboration and a commitment to thoughtful, environmentally-conscious cooking.
On Thursday April 10, the Hopkins Lecture Series hosted an event titled “An Evening in Virtual Conversation with Margaret Atwood” in collaboration with the Aronson Program for International Studies and the International Studies Leadership Council. This event was part of their 2025 spring series to facilitate discussion on topics of domestic and international significance.
On April 15, University administration hosted a virtual Community Updates conversation titled “Immigration and student visas.” The event was a conversation between Interim Vice President and General Counsel Tiffany Wright, Vice President for Public Safety and Chief of the Johns Hopkins Police Department Branville Brown, and Associate Vice Provost of of International Student and Scholar Services Jim Brailer.
For their spring 2025 musical, the Barnstormers are putting on a production of Heathers: the cult classic musical based on the 1989 film with the same name. I attended the April 12 evening performance, and the theater was packed to the brim with excited audience members, although I was able to claim a coveted front row seat.
On Wednesday, April 9 the Masters in Intelligence Analysis Program hosted “Africa at the Center of Global Issues” as part of their Inside Intelligence series. The event featured Jerry Laurienti, adjunct professor at Texas A&M's Bush School of Government and Public Policy, and Michael Ard, the Masters in Intelligence Analysis program director in the Advanced Academic Programs division in a discussion on the future of diplomacy and conflict in the African continent, especially considering the role of foreign aid.
How will Hopkins respond to the Trump administration’s assaults on our country’s laws, Constitution, and universities? So far, our administration has largely avoided the question. The time for silence, however, has run out.
On Friday, April 11, the Committee on Student Elections (CSE) released the results for the 2025–2026 Homewood Undergraduate Elections. These positions included the Executive Board, Senate and Class Programming Councils for the Student Government Association (SGA) and the president and vice president for the Hopkins Student Organization for Programming (the HOP). For this election cycle, CSE reported that the total number of voters came to 831, a significant decrease compared to the 1,032 voters from last year’s election.
On April 4, Djo (also known as actor Joe Keery) released his highly-anticipated third album The Crux. Produced in collaboration with Adam Thein, the album blends styles from a wide range of alternative artists.
This past weekend, the Hopkins Theatre Company performed Edward Albee’s Who’s Afraid of Virginia Woolf?, a three-act whirlwind of a play about two academic couples from opposing generations, each catching and delivering snide, passive aggressive comments across a countless number of liquor-filled glasses.
On Friday, April 4, a faculty panel titled “Arts and the Hopkins Student Experience” discussed what the arts mean at Hopkins. The event space was open to alumni as part of Alumni Weekend, while other members of the Hopkins community were able to attend virtually through a livestream. As audiences both in-person and online began to settle in, they prepared to hear about vital questions such as: What makes the arts valuable? Why should we pursue them, and how? Is Hopkins committed to the arts?
We appreciate the opportunity to communicate with the Johns Hopkins University community.
To members of the Johns Hopkins University community:
On March 26, 2024, Rümeysa Öztürk, a PhD student at Tufts University, co-authored an opinion editorial in The Tufts Daily. Almost exactly one year later, she was arrested near campus by plainclothes immigration officers, detained and sent nearly 1,500 miles away to a facility in Louisiana, where she is still being held. There are no charges filed against her.
Two tickets, consisting of three and two candidates, respectively, are running in the 2025–2026 Student Government Association (SGA) Executive Board elections. The SGA Executive Board debate was held Tuesday, April 1, and voting will be open on April 8.
The Student Government Association (SGA) elections are set for April 8, with the entire executive board, class senators, class programming councils and the Hopkins Organization for Programming President up for election.
On Wednesday April 2 at 4 p.m., the Hopkins Justice Collective (HJC) and the Council on American Islamic Relations (CAIR) held a press conference outside Charles Street Market to announce a joint letter signed by over 50 advocacy, faith-based and student organizations addressed to the Governor Wes Moore, Attorney General Anthony Brown and the Maryland legislature.
In a world plagued with political turmoil and at a time when dystopian fiction feels less like an escape and more like a reflection of reality, Suzanne Collins returns to Panem with Sunrise on the Reaping. Released on March 18, this 400-page novel follows beloved character Haymitch Abernathy through the deadly ordeals of the 50th Hunger Games.
There’s good reason to distrust any use of generative artificial intelligence (AI) in creative spaces. The trend of AI art has become a refuge for those who overlook the fundamental human nature of artistic creation, and the irony of outsourcing a uniquely human pursuit to machine automation.